Technically the site has been live for 18 months, but we released the FX Collection Vol.
How long have you been running FX Elements? That said, there are some elements that will always break frame, no matter how hard we try to stop them – smoke for example – but in general we do our best to create usable elements and we try to be very discriminating when choosing which takes make it onto the site and which takes are discarded. In other words, we try to keep the elements in frame as much as possible because we realize that as soon as an element breaks frame, it’s no longer usable (at least not in most cases). Moreover, we try our very best to frame the elements with compositors in mind.
The other is that we offer individual shots (we call them FX Clips) most other providers require that you purchase an entire collection when you might only need one or two shots. There are two main differences, one is our delivery format: we offer the actual uncompressed R3D files via the FX Collection hard drive. What sets FX Elements apart from other stock footage libraries? His suggestion seemed so perfect for us that we decided right away to dedicate our stock footage website to visual effects only, and we’ve never regretted it since. Yet we somehow didn’t immediately put 2 and 2 together and it was actually Wes Ball who suggested that we should focus our website idea on FX related stock footage. As a team of two though, the task seemed daunting! At the same time, as we were doing our VFX work, we often ended up shooting our own elements because we couldn’t find what we needed anywhere. We actually thought about building our own site to sell our stock footage as raw R3Ds. We’ve been RED camera owners for years now – originally a RED ONE, now an Epic – and from day one we used the camera to shoot random bits of stock footage (general themes, the likes of which you can find on the major stock footage websites). What inspired/motivated you to start FX Elements? Even today we still do some VFX work from time to time, but FX Elements is now our priority. We worked on a multitude of projects ranging from paint and roto to feature film compositing to TVC compositing and motion graphics.
Over time I convinced Lucie to join me and together we worked with Wes Ball and Justin Barber at Oddball Animation over the next several years. While working at “24”, I was moonlighting as a freelance VFX artist and I eventually decided to leave the show to dedicate myself completely to freelance VFX work.
#Motion fx elements series#
I, on the other hand, had experience in Post Production and Producing and I was fortunate to get a Post Production Assistant position on the television series “24” for seasons 6 and 7. We moved to Los Angeles after graduation and Lucie freelanced as a camera assistant since her emphasis was in camera work. We studied production together and worked often as a team in cinematography or post-production. Lucie and I met in the Graduate Film program at Florida State University.
#Motion fx elements download#
Via our website visual artists can browse and preview FX clips, buy one, or a few of them, for immediate download or buy the entire FX Collection Vol. FX Elements is dedicated to creating visual effects stock footage and delivering it to compositors, editors, motion graphics artists, game developers or anyone else who is in need of high end effects stock footage. Who is FX Elements and what services do you provide?įX Elements is a small company created and managed by myself, Brad Hawkins, and my wife Lucie.
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